Sreetanwi Chakraborty’s Two Poems

Poet Sreetanwi Chakraborty is a poet who transforms the joy, pain and sorrow of her surroundings into cinematic verses. The poet and activist in her mingle to weave the human plight into verses by the deft handling of words, that jolt and impress upon the sensitive mind, the full import of any calamity. Her verses observe and assimilate … the poet becomes one with the object of her poetry.

 1

Symbiosis

I look at the strider standing at the level crossing

He takes one step forward I take one back

He is cautious with his camera

recording half-burnt vehicles and mutilated bodies

beside the railway track

his nameplate glistens in the midday sun

supine hours draw frilled motifs on the suburban walls

where livers and the lived spell incantations

to call brick-brown ghosts of the past.

I take a palm full of water and smell

Crape, jasmine, tar and blood

I feel it is symbiotic-

the man, the camera, the railway track and me.

 

2

Mukabhinaya

A painted white face, black costume

and hair neatly arranged into a bun

she was the mukabhinaya actress,

breaking the invisible glass wall

shattering into pieces of phobia,

she cast a glance at the debilitated audience

who watched her in mrigaya,

she was in a chakravyuh now,

justice crumbled around her

100 days disappeared into fumes

and the mukabhinaya actress, the audience and I

froze into the eternity of Abhaya.

*Mukabhinaya – Mime acting

Mrigaya – Chase and hunting

Chakravyuh – A labyrinthine maze or a trap

Abhaya – In Sanskrit and Pali it means fearlessness, here it indicates a fearless woman. Alternatively, the word also indicates trust.

*

Sreetanwi Chakraborty

Sreetanwi Chakraborty is an Assistant Professor in Amity Institute of English Studies and Research, Amity University Kolkata. She is also the chief editor of a bilingual biannual journal Litinfinite, with multiple indexing of international repute and archived in 240 global libraries. Apart from her research papers published in Scopus, Web of Science and UGC Care journals, her works have also been published in Ekdin, Uttarer Saradin, Setumag, Dainik Gati, The Darjeeling Chronicle, Darjeeling Times, POL, The Dhaka Review, The Dhaka Tribune, Outlook India, The Times of India,The Daily Bhorer Alo (Bangladesh), Muse India, Kochi Post, Kavya Bharati, Asian Cha, Poetry Potion (SA), Poetry Conclave and many more. She has read her poems on invitation by the Sahitya Akademi, the WB Kabita Academy, Samyukta Poetry and acted as a poet and session moderator at the Chandrabhaga Poetry Festival. Her book The Sleeping Beauty Wakes Up: A Feminist Interpretation of Fairy Tales received the ‘Rising Star’ non-fiction award in New Town book fair in 2019. She has two sole poetry books and is an invited poet to 18 anthologies. Her recent work includes ‘Rhododendrons’, a novella, 'Of Dry Tongues and Brave Hearts' (Anthology, English, Red River Publication) and a translated short story in an anthology of Kazi Nazrul Islam's short stories, a project from Kazi Nazrul University (Orient Blackswan). One of her paintings has been selected by Sahitya Akademi as the cover design for Prachi journal in 2023.

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