Naheed Akhtar is a seasoned poet. She creates beauty with lucidity. In simple language her thoughts flow at once from the space inside her heart to the canopy of the sky, coursing the waves of time and tide to preserve thoughts within the frame of a painting, with the strokes of the brush running swiftly and aesthetically as a dancer’s feet. She deconstructs the idea of romance by turning it on its head, where the object of love gasps at being stalked, covers her face and reaches a dead end. Her feminist self exposes the idea of chasing in love as it is no less than a nightmare.
- Canopy of Awe
Though, you could never know;
I rejoice the mesmerism of you; that
Fabricates a shining sky
In the small chamber inside my chest,
With a promise made to myself-
The judicious awe, you had created, must prevail
While recurring waves of
Time and tide,
Try to break the canopy
Diminishing the stars in the kindest way-
This enchantment became my favourite;
Like a fine painter bowing down
On the canvas to preserve his thoughts,
Sealing them from all angles
Inside the frame-
Letting his fingers travel,
Like a Bharatnatyam dancer’s feet
On the music composed in madness.
- Romance
The sky was moonless
And I had fallen breathless
Being chased by
The stream of mud
As if the catastrophe
Spreading a black sheet all around
I reached
The end of the yard-
It was a dead end, and
I had no option to run further,
I Turned, thrusting palms to my face
A deep gasping breath then
Ushered me open the eyes
And found my being in the bed
It was middle of the night
Dating the nightmare.
Bio:
Naheed Akhtar is an Assistant Professor of English and a bilingual poet, representing the vibrant city of Hyderabad in Southern India. With a profound passion for poetry, Naheed has carved a niche for herself in the literary realm. Her poetic journey is adorned with four remarkable collections, namely Phantasms of My Heart, The Earth’s Love, The Morphine and Beyond the Clouds. Participating in various literary festivals, Naheed Akhtar’s presence has graced the National Kolkata Book Fair, where ‘The Morphine’ was launched in collaboration with the Sahitya Academy, the Department of Culture and Language, and the Government of West Bengal. Her poetic expressions have found a home in both national and international magazines, showcasing the universality of her themes and the resonance of her words. In addition to her English poetry, Naheed actively engages in Urdu poetry, participating in Mushairas across India, earning Certificates of Participation for her enriching contributions.
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