Debarati Sen is a young and promising poet. As a poet her heart beats in sync with the environment she breathes in, leading to fiery verses of protest on the outset such as ‘Fury’. Attacking patriarchy, she weaves intertextuality into her lines to ‘reclaim’ what is rightfully hers, has always been, every woman’s. On the other hand, she also sinks deep into the recesses of her inner world, reminiscing and relishing memories in picturesque details and images that delight on the synesthetic level.
- Fury
Come, let us dig deeper into the spines of poetry and politics
to carve a nation
where women can walk fearlessly,
where her bosom is nestling for dreams and not for hiding her scars.
Why does she need to reclaim something that already belonged to her?
Let her walk down the city streets without the fear of being violated.
Come, let us wage an uproar against this rotten state machinery
that fills the crevices of our nation with termites.
It’s time we stop teaching women to be docile
It’s time we stop asking her to be soft spoken
It’s time we stop throttling her voice
It’s time we tell her
that she is the rokto karabi,
that she is the phoenix,
rising to reclaim her fury
Our streets are raging today.
You cannot chain our feet anymore,
For I am the woman who is willing to wear her scars as a medal.
‘I am the madwoman of moon days’
I am the breast-beating woman who yelps to make you remember that
‘the personal is political ‘.
‘roktokarabi’ is a Bengali name for red oleander.
- Time’s Tentacles.
Time died in this place
trying to find a home far away from home
that bore the fragrance of sunflower kisses.
A penchant for nostalgia fluttered amidst the crevices where periwinkles bloomed
and the sourdough of memories sprouted
Reminisce flipped through the pages of my heart
and spoke to the cerulean bosom in metaphorical sighs.
Wearing clouds on my eyelids
I looked for the entwining roots growing deep in the soils of yesteryears.
An archipelago of memories laid ahead.
Peppered by the rose-coloured islands that had witnessed the sunsets of our childhood.
The orange horizon’s serenade in the cold
and the fragrance of Komorebi on winter noon.
Days of la dolce vita plummeted the spiral staircase
of the cavernous house whose inhabitants had long been decimated
by time’s grinding wheels.
The coffee stains on the table calendar,
the unused kettle in the sink where the cassoulet of remembrance brewed
muttered unfinished tales of love, loss, and changing times.
This place was once a happy home
now churned the bricks of loneliness.
My happy place is now a kryptonite
that makes my head dizzy with the migraine of grief.
The good old days rush like a forest fire
and burn through my veins.
I sigh, not being able to return to my roots.
I remain a perpetual outsider.
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